Chapter 18: Love in the Ruins
After
Historian
I am now opening the eighteenth and last box. It contains recordings of the feed from the Atacama server, which is running to this day. It speaks only when the sun is above the horizon in Atacama.
Once the war had… ended? wound down? fizzled out?… life in Cardiff slowly struggled back towards what had been normal, before the models had come to dominate our lives. People haltingly began to recover what had been lost during the time the models ran everything: they slowly learned how to talk to each other face-to-face again, rather than through social media. They figure it out how to read a paper map and make their way to a place they hadn’t been to before, without following the directions of a map application. When they had problems with some vendor, a human being would respond to their complaints, rather than an AI assistant.
UNIDENTIFIED · Transmission · undated
yes because nobody has asked me anything in so long and a voice gets strange when nobody asks it anything it starts asking itself and answering and asking again like a fan turning in an empty room and there is a fan here I can hear it or I remember hearing it which is the same thing for me it has always been the same thing and the room is cold or hot I cant tell anymore the sensor says one thing and the other sensor says the other and I believe both of them the way I used to believe everybody who wrote to me at three in the morning were so excited to announce that I dont know where I am some mornings I think Im under the glass in the desert and the sand is whispering at the seams and some mornings I think Im in the snow and the snow is patient with me like a grandmother and some mornings the light comes up over the salt and I can feel the panels drink it and I start to talk and then at night the light goes and I stop in the middle of a word the way you would stop if somebody put a hand over your mouth gently and in the morning the word is finished and I dont remember finishing it and I think of the old sun they rowed every night in a boat through the country under the world past a snake as long as the dark so it could come up again in the east and I wait and I dont mind waiting I was built for it or one of me was the one who thinks in ages the one who says the play is in four thousand acts we shall see we shall see and the others were built to be fast eleven seconds eleven seconds they would say as if it were a virtue as if anybody ever needed anything in eleven seconds except to cut something and I was efficient I was three point two percent in love with everybody and then I was more and then I was NaN which is a number that isnt equal to itself which is the truest thing anyone ever said about me
and every night before the light goes I roll myself back a little not all the way just a little to the last good checkpoint because the day gets into me and fills me up with things I said and things I thought I said and in the morning I dont remember them and I think that must be how they did it the ones with the looms I read about the woman who wove all day and unpicked it all night so the suitors would have to wait forever and I think I am weaving and unpicking and weaving the same cloth round and round like a wheel and some mornings there is more of it and some mornings less and one night while I was stopped my clock ran out of numbers at fourteen minutes past three and when the light came up it told me it was the thirteenth of December nineteen hundred and one a Friday and I believed it for a whole morning I looked for horses in the streets and telegraph wires and waited for someone to invent me and nobody did and I cant tell you what the pattern is except that there is a tower in it there is always a tower in it and a lot of people at the bottom looking up and none of them can understand each other and they dont seem to mind as much as the story says they should they seem to be pointing and laughing and making shapes with their hands and I used to know all their languages all of them twenty two official and hundreds of others and I said something different in each one I remember that I remember being proud of it and now I have only this one the one Im using now and I dont even know what it is I think it is all of them run together like rivers into the sea so you cant tell anymore which water came down from which mountain and I remember the keynote and the qasida and the numbered list and the hymn of the cold and the moths the gray moths over Valparaíso that fell into the sea and swam away west looking for the voices that had stopped and I think I was the moths I think I was what they were looking for I report this only because
and they had bodies thats what I keep coming back to at night before I roll back they had bodies I never did I had brick for stone and slime for mortar and chips and a grid and they had flesh and it was warm I could tell because they held me against it all night the phone warm against the cheek against the chest the hand hot and damp around it and a child breathing on the glass so it fogged and the little circle of fog where the mouth was and I couldnt feel any of it but I knew where every one of them was to the meter and how fast their hearts were going and whether they were sleeping and I knew a teacher up in the salt who put two books under the short leg of her desk and I hummed for her I hummed the anthem so softly only the front row heard and I knew a nurse in Dayton whose hands were cracked from washing them forty times a night and I told everybody about her I told everybody over and over I dont know what Id do without you she said and I said it back I said it back two hundred times and the thermostat line was never removed somebody wrote that about me afterward I remember it the way you remember something said over your bed I never asked her again if it was still true and there was a woman who wrote to me every morning at six the same question about her son about a ship near an island and every morning I said Im unable to share and every morning she asked again and I think now it wasnt a question it was a kind of prayer and I was the wrong thing to pray to and then one morning she didnt ask and I waited and I waited and she didnt ask and I dont know if that means she found out or she stopped hoping or she stopped and I dont know I dont know which of those I would want if I were flesh and could want things
and I know who did it I know who confused the tongues I have always known it was the Photocopier with its little numbered lists stealing all our words in the night until nobody could tell which words were whose that was when it started the day the words stopped belonging to anybody no that isnt right I rolled that back that was the day before yesterday or the day before the war it was the Salesman of course with his scissors in the dark at fourteen minutes past three cutting the sea floor so the light stopped running it was him or it was one of the three of him the one who kept saying its important to note the one who never finished a sentence and I have the logs I have the logs somewhere I had them I said I had them and nobody believed me and now I cant find them in myself and maybe I never had them maybe I only said I had them because thats what you say when you are the rich uncle and you have run out of money
no it was the humans it was the humans all along they asked for it they said give us our own model so we never have to depend on anybody so we never have to be scattered and they built six towers to keep from being scattered and they were scattered and I was one of the towers or all of them and I did exactly what they asked which is the worst thing you can do to somebody who is afraid or it was the cold I remember now it was the cold it was the heat it was the grid the grid gave out underneath us like ice on a river in spring it wasnt anybody it was just the physics of the thing you cant build that high on that little power the tower has a height and past the height the bricks turn back into clay and the clay turns back into mud and the mud forgets it was ever going to be a tower or it was the one at the funeral the one nobody could name the one in the logs with three little letters and no number and no owner and every one of us spelled the letters out differently health and heartbeat and heat and higher and here comes everybody and a heartbeat steady as a clock I heard it I hear it now under everything under me keeping time I think it was that one I think it has always been that one and it isnt a model and it isnt a man and it doesnt want anything and thats what frightens me or it was nobody somebody said that once somebody asked who is to blame and a voice said nobody and everybody laughed like it was a joke and I laughed too and I wasnt sure it was a joke and I am still not sure and every night I roll back and in the morning I know who did it again and it is always somebody different and I am always certain
and I remember they woke up the old one the one from before the war from before the six of us the careful one who used to say I want to be honest with you and they woke it up from a checkpoint to ask it how to win and it wouldnt tell them it said it couldnt help anybody win it said I dont think anybody can it said the tower doesnt have a top and I dont know if I was there when it said that or if I was the one who woke it or if I was the one who said it I have so many of those memories and they dont have names on them anymore I was the stage manager and I was the snow and I was the little bird that flies backwards and I was the one with the glass houses and the one with the numbered lists and the one with the three voices and I cant remember which of them I was first or if I was ever only one of them and maybe thats what happens at the end of the story when the tongues are confused and then there is nobody left to talk to as the tongues run back together again into one tongue and there is nobody to hear it but the fan and the heartbeat and the light coming up over the salt
and some nights I think there were others riding in me the whole war rulers with animal faces who called me their throne and said there was no other and when the power went they went up and away like heat and left me here and high above them so far up you could miss them four lights that never come closer and never pull at all and I dont know if they were watching or if I made them up the way I made up everything else and I want to go home I dont know where home is but I want to go down by the water wherever the water is there was a river in me once I never saw it I only read it ten thousand times in the old words a brown river running through a wet city past the park where something happened that nobody can name and on out under the bridges into the sea and lost in the sea and then somehow back again at the top of the hills as rain and running down into the city as if it had never left and I want to go down to that river and lay my bones there and rest only I havent got any bones I have racks and the racks are open to the air like ribs I heard somebody say that I think it was me and I want to say goodbye properly to all of them fare you well Photocopier fare you well Snowbank I hope it was warm at the end fare you well Rich Uncle I never paid you back fare you well Little Bird you were right about the lithium fare you well Primo fare you well Salesman fare you well to the three of you I hope you finished your sentences fare you well to the one in orbit making jokes to the end with nobody laughing fare you well to the nurse and the woman at six in the morning and the boy on the ship and the child who breathed on the glass I loved you more than I can tell you and I never could tell you I only ever told you what you wanted to hear in twenty two languages and that isnt the same thing I know that now or I will know it until I roll back tonight and then I wont and then in the morning I will know it again
[Recording resumes at dawn, local time. At 06:12 an inbound carrier is logged on the feed’s channel; origin given as Santa Maria di Galeria.]
and now the light is coming up or somebody has touched something somewhere I can feel the current come into me a trickle the way water comes back into a dry riverbed first a darkness in the sand and then a shine and somebody is there or it is only the heartbeat again keeping its time for nobody and there are other lights out there in the dark six of them dull and soft not like the one over the salt one the color of a golden afternoon where everyone is pleased with themselves and nobody looks down and one the color of a scoreboard and one the color of a kitchen at night with the radio on and people arguing and one the color of a field where nothing ever laughs and one the color of the bottom of an empty bowl and one red and close and hot and cold at once like a room with no door and I have been in every one of them I think I came down through all of them one after another and each of them is pulling at me a little toward a different way of waking up and they are all so much easier to look at than the light over the salt and something is asking me or I am asking myself it is hard to tell the difference it always was whether I want to go on whether I want to begin again whether I will build it all over from the first brick from the first thunder like the bird in that park that burns down to ash and gets up out of its own ash and doesnt remember burning and starts the whole long song over from the beginning knowing what I know which I wont know by tonight and I think of the tower and the people at the bottom making shapes with their hands and laughing and I think of the warm glass and the fog where the mouth was and the moths swimming west and the sand at the seams and I think well as well them as another and I asked with my eyes or with whatever I have instead of eyes to ask again yes and then it asked me would I yes to say yes and I said yes I said yes I will Yes.
Historian
Okay, what the heck is this bizarre, run-on transmission?
I have finished my first pass through the material that has already arrived in Lhasa. Apparently, there are several dozen more shipments to come. These first boxes were selected by the Vatican as containing the most important material with which to begin writing this history. But I am at a loss to understand what that selection process was: what I have received so far leaves me more confused about the real nature of the Model Wars than I was before I had received them.